![]() It is important to note that the notion of bebop scales is a concept that arose after bebop had already emerged as a distinct style of jazz. Pioneering jazz pedagogues David Baker and Barry Harris are the two musicians most commonly credited with the development of the concepts surrounding bebop scales. Bebop scales appear to have emerged as a theoretical concept in the first few decades after the emergence of bebop as a distinct jazz style, which occurred around the time of the Second World War in the late 1930s/early 1940s. Many different backstories and explanations are circulating about where bebop scales come from, but in general, the narratives seem to have some common themes. This is a complicated question, but I can try to provide a basic framework for understanding the history and derivation of bebop scales. But where do bebop scales come from, and how can they be used in the practice room and in practical playing situations? In this post, I’ll hopefully shine some light on where these useful scales come from and how you can incorporate them into your practice routine, compositions, and improvisations. Perhaps you’ve read or heard about bebop scales before – they’ve been mentioned in passing on LJS in the past. ![]()
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